American popular music as ritual: Exploring the meaning of religion in interactions between Taylor Swift and Swifties

Menjelajahi arti agama di dalam interaksi antara Taylor Swift dan Swifties

Authors

  • Ahdi Sakha Hamidan UGM

DOI:

https://doi.org/10.55227/ijhess.v5i2.1815

Keywords:

Taylor swift, fandom, popular culture

Abstract

Music as a product of popular culture has a considerable influence on social life. Music is not only limited to entertainment but has become a form of cultural expression. This can be seen in t Music as a product of popular culture has a considerable influence on social life. It is not only limited to entertainment but has become a form of cultural expression, as seen in the relationship between idols and fans that often resemble religious rituals. This article explores how popular music can function as a ritual that creates a special closeness through the interaction between Taylor Swift as an idol and Swifties as her fans. Using a qualitative approach, this research applies content analysis of Taylor Swift’s songs, live performances, and social media interactions to examine how rituals and symbols emerge in these fan practices. The findings show that Swifties construct their collective identity and build a seemingly sacred relationship with Taylor Swift through rituals such as chants, symbolic attributes, and participatory culture online and offline. This study concludes that popular music can act as an alternative form of spirituality, where fans are not merely passive consumers but active participants who find emotional connection, identity, and even transcendent experiences through their engagement with music. he relationship between idols and fans that form certain patterns as seen in religious rituals. This article explores how popular music can function as a ritual that creates a special closeness through the interaction between Taylor Swift as an idol and Swifties as her fans.  Through analysing the relationship between Taylor Swift and her fans during concerts, interactions on social media, and her music, this article shows how Swifties construct their collective identity and build a seemingly sacred relationship with Taylor Swift. Using a cultural approach, this research will look at the ways in which Swifties express and adopt Taylor Swift's music as part of a social ritual that includes their emotional side. Through this relationship, popular music can create its own space, and fans are not only seen as passive consumers, but they also play an active role in the formation of a strong identity and community.

References

Driessen, S. (2022). Look what you made them do: Understanding fans’ affective responses to Taylor Swift’s political coming-out. Celebrity Studies, 13(1), 93–96. https://doi.org/10.1080/19392397.2021.2023851

Fiske, J. (1987). Television culture: Popular pleasures and politics. Methuen & Co. Ltd.

Fitzgerald, T. (2024, April 18). Every Taylor Swift album in order of release. Forbes. https://www.forbes.com/sites/entertainment/article/taylor-swift-albums/

Forbes, B. D., & Mahan, J. H. (2017). Religion and popular culture in America (3rd ed.). University of California Press.

Jenkins, H., Ito, M., & boyd, d. (2015). Participatory culture in a networked era: A conversation on youth, learning, commerce, and politics. Polity Press.

Lee, C. (2024, May 14). Swifties demand Taylor Swift ‘Speak Now’ on Gaza. Time. https://time.com/6983331/swifties-callout-taylor-swift-palestine/

Mayring, P. (2014). Qualitative content analysis: Theoretical foundation, basic procedures and software solution. Beltz Verlag.

Moberg, M. (2012). Popular culture and the ‘darker side’ of alternative spirituality: The case of modern metal. Numen, 59(2/3), 323–345. https://doi.org/10.1163/156852712X630833

Neville, M., Rogers, C., & O’Malley, C. (Producers), & Wilson, L. (Director). (2020). Taylor Swift: Miss Americana. Netflix.

Plate, S. B. (2017). Religion and film: Cinema and the re-creation of the world (2nd ed.). Columbia University Press.

Ryzik, M. (2017). Taylor Swift spoke up, assault survivors were listening. The New York Times. https://www.nytimes.com/2017/08/15/arts/music/taylor-swift-sexual-assault.html

Turner, V. (1969). The ritual process: Structure and anti-structure. Aldine Publishing Company.

Downloads

Published

2025-10-14

How to Cite

Ahdi Sakha Hamidan. (2025). American popular music as ritual: Exploring the meaning of religion in interactions between Taylor Swift and Swifties: Menjelajahi arti agama di dalam interaksi antara Taylor Swift dan Swifties. International Journal Of Humanities Education and Social Sciences, 5(2). https://doi.org/10.55227/ijhess.v5i2.1815